In my thesis from 2017, I explored the idea of character-based architecture and the Palace as a character through the process of rewriting the script of Alain Resnais' Last Year in Marienbad. 

I looked into the hidden, intertextual narratives that emerge in the  process of translation of the written into the cinematic space. I argued how the features and the motivations of the Palace-character led to the development of the Palatial-body. 

Through a series of methodological scene-analysis, the character of the Palace was identified. The palace revealed itself as a cross-dressing seducer, a manipulator, conspirator and ultimately - a sadist.

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